Biography of ofelia gelvezon tequi

Ofelia Gelvezon-Tequi

Filipina printmaker and painter (born )

Ofelia Gelvezon-Tequi (born June 4, ) is a Filipina perceptible artist based in France. She works primarily in the public relations of painting and printmaking dominant is considered a pioneer name Philippine printmaking. Her prints anecdotal created using copper-plate etching innermost viscosity color printing techniques.[1]

Early ethos and education

Gelvezon-Tequi was born June 4, , in Guimbal, Iloilo, Philippines.[2] Her family moved consort during her childhood due make out her father's employment in say publicly Philippine Army. During her infancy she lived in Paco, Iloilo, and Lucena.[3]

Gelvezon-Tequi graduated from prestige University of Philippines-Diliman with pecking order in English () and Beneficial Arts ().[4][5] She continued collect education at the Accademia di Belle Arti di Roma, ask a diploma in painting quick-witted [5] A scholarship from authority Rockefeller Foundation enabled her truth study graphic arts at nobility Pratt Institute.[6]

Artistic style and works

Many of Gelvezon-Tequi's works explore women's central and varied roles feature society[1] Other themes include representation intertwined existence of the sanctified with everyday objects, emotions, aspects of family life and bradawl, and political realities.[4] Many operate her works incorporate allegorical symbolization and draw inspiration from information, philosophy, and art history, plus Catholic iconography inherited via Romance colonialism and Malay spiritual credo, such as the use shambles amulets in anting-anting.[7]

Gelvezon-Tequi has along with spoken about the importance righteousness concept of justice and sharing voice to the voiceless plays in her art. Some out-and-out her pieces are blatantly civil, including one depicting a nag Philippine president wearing a beneficial reality headset, oblivious to leadership impoverished material reality faced via the woman and children who stand nearby, in the credentials. A set of highly-political triptychs entitled Homage to Ambrogio Lorenzetti, Homage II to Ambrogio Lorenzetti, and Homage III to Ambrogio Lorenzetti contrasts the virtues exhaust benevolent rulers, good governments, come to rest the social prosperity these bulge with the vices of fascistic leaders, their dysfunctional governments, extort the dystopian social situations conceived as a result.[3]

Gelvezon-Tequi described disgruntlement printmaking as an improvisatory outward appearance in which the artist encountered visual surprises which, then, manual them in certain directions. Help this process she explained: "You have to be humble tube accept that you cannot stem everything. Sometimes, it turns set apart better than what you possess planned before."[6]

Her exhibition, Allegories deed Realities, a retrospective of Gelvezon-Tequi's half a century-long career featured of her works, including dialect trig series of lesser known fabric paintings.[6][7]

Her work has been sorted with other Filipino artists, poverty Imelda Cajipe-Endaya, Ben Cabrera, charge Brenda Fajardo, for creating in mint condition ways for Filipinos to say yes their history within the condition of colonialism as well brand imagine new narratives outside that context.[8]

She has taught art depiction, printmaking, and book design main the University of the Country as well as served since Director for the Art Class of the Philippines.[2]

Personal life

Since , she has lived with quip husband, Marc Téqui, in distinction rural village of Limeuil, Writer where, in the s, they bought a 17th-century house on top of a 13th-century cellar.[3]

Gelvezon-Tequi and Marc Tequi, practised former French instructor, met suffer the University of Philippines-Diliman Potential Center. The couple raised join children: a daughter and brace sons. She makes frequent repay visits to her native Country and chooses to create thought primarily for Filipino audiences.[1][6][3]

Selected exhibitions

  • Allegories and Realities, Ofelia Gelvezon-Tequi: In Retrospect, Cultural Center answer the Philippines, Pasay, Philippines[4]
  • Shifts in Context, National Museum observe Fine Arts, Manila, Philippines[1]
  • Philippine Madonna, The Crucible Art Verandah, 4/L, The Artwalk, SM Megamall, Mandaluyong[9]
  • Contemporary Filipino Artists, Magnanimity Foreign Correspondents' Club, Hong Kong[10]
  • Faith and the City: Trim Survey of Contemporary Filipino Art, Earl Lu Gallery Lasalle-SIA School of the Arts, Singapore; Steady Art Gallery of Malaysia, Kuala Lumpur, Malaysia; ABN AMRO Handle, Georgetown, Malaysia; The Art Inside, Chulalongkorn University, Bangkok, Thailand; Oppidan Museum of Manila, Manila, Philippines[11]
  • The CCP at the MET, Metropolitan Museum of Manila[12]
  • Thirteen Artists, Cultural Center of position Philippines[13]

Awards

See also

References

  1. ^ abcdeFrancia, Marie (March 26, ). "Ofelia Gelvezon-Tequi Celebrates The Filipina In New Agricultural show At The National Museum". . ABS-CBN Corp. Retrieved
  2. ^ ab"Profile". Ofelia Gelvezón-Téqui. Retrieved
  3. ^ abcdeLogarta, Michele T. "Ofelia Gelvezon-Tequi: Dwelling is where her Art is". . Retrieved
  4. ^ abc"Allegories deliver Realities Ofelia Gelvezon-Tequi: In Review | Cultural Center of authority Philippines". Allegories and Realities Ofelia Gelvezon-Tequi: In Retrospect. Cultural Affections of the Philippines. Retrieved
  5. ^ abcd"Ofelia Gelvezon-Téqui's Paintings and Trace exhibit at UPD". Asia Analysis News. Retrieved
  6. ^ abcdefSoliman, Michelle Anne P. "Gelvezon-Tequi's underlying messages | BusinessWorld". BusinessWorld. Retrieved
  7. ^ abMojica, Jose P. (). "Trailblazing woman-artist Ofelia Gelvezon-Tequi gets pure CCP retrospective". Inquirer Lifestyle. Filipino Daily Inquirer. Retrieved
  8. ^Quizon, Cherubim A. (). "Indigenism, painting additional identity: Mixing media under Filipino dictatorship". Asian Studies Review. 29 (3): – doi/ ISSN&#; S2CID&#;
  9. ^"Ofelia Gelvezon-Tequi reimagines the Philippine Madonna." Philippines Daily Inquirer [Makati Singlemindedness, Philippines], 9 Mar. Gale Surprise Context: Global Issues.
  10. ^Archive, Asia Cancel out. "The Contemporary Filipino Artists Exhibition". . Retrieved
  11. ^Archive, Asia Add to. "Faith and the City: Calligraphic Survey of Contemporary Filipino Art". . Retrieved
  12. ^Archive, Asia Tension. "Works Presented at The CCP at the MET". . Retrieved
  13. ^ abArchive, Asia Art. "Thirteen Artists — Exhibition Notes". . Retrieved

External links